003060

003060

2024 Conference Updates!

We’re thrilled to see many of you at the conference in a few short weeks! Be sure to download the updated conference schedule, and as always, don’t hesitate to reach out to us! Email us at info@suzukiassociation.org with any questions! 

Register for a Pre-Conference Session! 

It’s not too late to register for a Pre-Conference Session! Learn more here and register at the link below!

Please note: Additional registration is required for pre-conference sessons! 

Register Now!

Call for Volunteers!

Are you interested in volunteer opportunities at the conference? We need greeters, session room hosts, interpreters, help with set up, student activities, and more. Interested volunteers, please fill out the form below. Thank you!

Volunteer here!

Limited Rooms Available at SpringHill Suites!

Act quickly and secure a room at the SpringHill Suites in downtown Louisville

Book Today!

Advertisement

Two Il Cannone Direct & Focused string sets overlapping a woman playing a violin and the Shar Music logo.

Advertisement

The Hartt School, University of Hartford offers two degree offerings with Suzuki Pedagogy Emphasis. Picture shows: 3 faculty members, a male cello faculty member flanked by two female violin faculty all smiling.
Write for the American Suzuki Journal!

For our next issue of the American Suzuki Journal, we will further explore the theme of the 2024 SAA Conference: Expanding & Connecting Communities. Whether you presented, attended, or viewed the conference from afar, we’d love to hear your perspectives on community building in our Suzuki, musical, and even non-musical worlds. Ideas to explore include:

 

  • What defines your musical and Suzuki community?
  • How do you use your teaching to connect with those around you? 
  • Who are your models and inspirations for creating a more vibrant community?
  • How have you gone out of your comfort zone to connect with new communities?
  • What successes and failures have you experienced in trying to expand your community?
  • What influences (musical or otherwise) contribute to your community?

 

Additionally, we welcome you to share any perspectives from the conference itself in the form of reviews, first-person narratives, or ideas spurred on by particular people or events.

 

The deadline for submissions is April 1, 2024. Manuscript guidelines and the submission form are here: https://suzukiassociation.org/news/guidelines/ To share ideas, general inquiries, or just to say hi, please contact Andrew Braddock at editor@suzukiassociation.org.

Great Suzuki News!

Congratulations to Suzuki School of Newton! Suzuki School of Newton was selected among arts organizations across the United States to receive a Challenge America grant from the National Endowment for the Arts for their collaborative work with Project STEP in Boston and the City of Boston’s Office for Arts and Culture! Join us in sending a huge congratulations! Learn more about their performance, which took place February 11th, at the link below!

Learn More!

Congratulations to Bethlehem Kelley (violinist), a childhood student of Alice Joy Lewis, for winning third place in the Sphinx’s Annual Competition! We are so proud! Be sure to check out the performance at the link below, and learn more about the competition at this link. You can also catch the Sphinx Virtuosi performance at the 2024 Conference! See you there. 

Watch the Performance!
38th International Festival, Lima, Peru

After two years of online festivals and one year off to evaluate our situation, the Festival Committee of the Suzuki Association of Peru (ASP) made the rather precarious decision to hold an in person only festival in January of 2024. It was a dangerous decision due to the unpredictability of the event: how would the enrollment in teacher training be when people are accustomed to online training where there is no issue with travel or accommodation costs? So, we were conservative in the number of teacher training courses offered and with the length of the festival. We opted for two weeks instead of three and teacher training in only violin and piano.

However, we enjoyed the benefit of all our zoom online experience in many ways. Our festival committee which works year-round was international: Annika Petrozzi (Finland), Luciana Castillo (Brazil), Caroline Fraser (Scotland, USA}, Nicolas Ponce (Arequipa, Peru), Roberta Centurion, Kia Cárdenas, Nayet Cárdenas, (Lima, Peru). During the festival our producer, Luciana led from Brazil while Annika co-cordinated from Finland along with Roberta Centurion. Adriana Paliza, our Association treasurer for almost 40 years stayed at home in Lima preparing for surgery but was in the loop thanks to Whataspp.  Our orientation meeting for students and families was held very successfully online. The children felt free to talk and ask questions and the general feeling was that it was far more productive than the in-person inaugurations we had organized in the past. It has been highly recommended that this event remains virtual!

Over 300 participants from Bolivia, Brazil, Chile, Colombia, Guatemala, USA and from many regions of Peru attended.  Large groups of students from the jungle city of Iquitos, from the Andean region of Huancavelica and Huancayo, and for the first time in the festival we had students from Abancay  who travelled 18 hours by bus to participate.

This year we introduced new courses for teachers, based on the need of our teachers: José Márcio Galvão gave a very successful course on Group Teaching based on his own teaching and results in Brazil and Dario Dominguez´s orchestral conducting for youth orchestras course attracted additional participants from the broader musical community. Level 2 is already being planned for 2025. Once again Jeremy Dittus gave a dynamic and much needed Dalcroze course and for the first time included the teacher participants observing Jeremy work with children.

What are the benefits of the in-person festival? It is difficult to put into words as so much is transmitted just by being present. Relationships are strengthened beyond measure, friendships are more meaningful, community is built, and teamwork takes on quite a different dynamic. Families, children and teachers learn so much more in a 5 day immersion, 5 hours a day of a complete musical environment via the workshops, lessons, group classes, concerts, opportunities to perform with orchestra, ensemble, and small groups. There is personal contact and interaction between students, parents and teachers which is highly motivating. Children make new musical friends and there are many opportunities to exchange experiences and ideas and to plan for the future. In addition, there is the opportunity for teachers and families to see and acquire the latest teaching materials, accessories and instruments. The teacher participants experience the larger Suzuki community and can see a much bigger picture. They see the dedication of so many parents who have made participation in the festival a family priority. They can meet the teachers of the students they are observing. They bond in a different way with their classmates and with their teacher trainer especially during informal moments outside of the classroom which cannot be recreated online. The teacher-student relationship is much more sensitive as the teacher can feel how the child feels, can transmit more empathy, intimacy and through physical contact can help the child in a more natural way.

In conclusion, online teacher training courses are most definitely here to stay and are necessary allowing for more inclusion and greater accessibility for all. In-person events such as festivals simply cannot be replaced as effectively online. We held a lively teachers’ get-together (Encuentro) in which new ideas, and new leaders emerged within our Association which would not have been possible online.  The in-person festival brought together a cross section of families and teachers from the jungle, the Andean mountain and coastal areas of the country. The in-person festival strengthened our ability to work as a team while we were guided from a distance, with Annika in Finland and Luciana in Brazil. We enjoyed the best of both worlds!

Our thanks to our locale Colegio Inmaculada, to the ASP Board, to our administrative team, the festival committee, the SAA and donors from Peru and the USA. Special thanks to Yuko Hirama.

“Working together we can change the world”  Shinichi Suzuki.

News from the Board of Directors

We are very excited we are going to see many of you at the Conference in March. Our Conference Committee and the staff are working extensively to make this a wonderful experience.

Meet with the Board at the Conference! Everybody is invited to attend the Board Meet & Greet session which is going to take place on Friday, March 22nd, at 11:00 a.m.!

We also want to share that the Country Associations Committee has been meeting and working; its representatives had the chance to share very important points during the last Board general meeting.

Looking forward to seeing all of you in March!

Sincerely,

The Board of Directors

Many thanks to our 

Premier Business Members

 

Alfred Music

Clarion Associates, Inc.

Connolly Music Company

Johnson String Instrument

Shar Music

facebook  instagram 
Suzuki Association of the Americas

Copyright 2023 Suzuki Association of the Americas